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And next thing we knew, in the middle of a swampy Tennessee field, at the end of a steamingly humid June day, under the light of the few stars that had braved the clouds, Clarence Clemons was ho-ho-hoing and shaking a stick of jingle bells, and everyone around me was belting out “Santa Claus is Coming to Town” like their presents depended on it. “It’s too f-ing hot for Santa!” Bruce repeated several times, then smiled and said if he was gonna do this, we’d better sing.

First out of the pile was a life-sized picture of Santa Claus. It was “Request Time” that thrilled me most, as Bruce entered the crowd to collect armloads of posterboard signs passed forward by eager (and well-prepared) fans. Thanks to Costello, Lewis, and Toussaint for understanding that, and being good-natured enough (and ego-free enough) to go for it.

The supergroup closed with “(What’s So Funny ‘Bout) Peace, Love, and Understanding,” which is exactly the kind of event programming these festivals should be about when the artists stage-jump, mix and mingle, surprise us with collaboration, that’s when things get magical.

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“Red Shoes,” “Watching the Detectives,” “Radio Radio,” “Complicated Shadows,” and “New Amsterdam” (into which he threw “You’ve Got to Hide Your Love Away”) were all I could hear before sprinting to the Mars Volta photo pit, but by the time I sprinted back, Costello was surrounded by a full band, including Jenny Lewis - returning the stage-sharing favor on “Go Away” - and Allen Toussaint, who’d performed earlier in the day but stuck around to sit in with his River in Reverse partner. Introduced as “the troubador of divine bliss” by Beatle Bob, the rocker emerged, doffed his cap, and transformed into a guy in a bar sitting on a stool playing no-frills acoustic renditions of his best songs for tips.

Headed to Wilco (the live show) for a bit - Jeff Tweedy looks quite the wreck, but sounds as good as ever, his voice the perfect cooling companion on a blazingly hot afternoon, and I propose that “I Am Trying to Break Your Heart” be played at every music festival from now on as a sort of indie rock national anthem - then hustled back to Costello’s solo set. He did, turning up for “Carpetbaggers” after the redhead charmed the crowd with “You Are What You Love,” “Jack Killed Mom,” and a innocent acoustic group-sing of “Silver Lining.” (Church camp again!) And yet my favorite moment may have been “Rise Up With Fists!!” when I turned to my left and saw an older African-American gentleman raise his fist triumphantly in the air, the perfect mirror image of all the white kids fighting the power alongside Public Enemy the night before. Quiiiiite different.Īlso dreaming: Me, that Elvis Costello would join Jenny Lewis on stage. There were girls in bikinis standing on trash cans, families passed out in the grass, and a truly remarkable number of people still calling what they were about to see “Bon EYE-ver” instead of the Frenchier “Bone ee-VARE.” This, in light of all the hype around this guy/band, started cracking me up - though not as much as the one kid who, at some point during “For Emma,” asked me if we were at Rodrigo y Gabriela. Despite the band’s tardy start, the enthusiastic crowd poured out of all sides of the tent, everyone trembling in anticipation of Justin Vernon’s plaintive cabin folk.

The revival tony toni tone zip plus#

Thanks to the generous backing-band assistance of Drive-By Truckers, his sound is now heavy on the Muscle Shoals, plus we got a bonus rendition of “Zip City” that carried me over to indie sensation and neckbeard poster child Bon Iver. Hung out behind about a dozen people merrily hula-hooping to Booker T as the legendary Stax organist took his B3 through a string of muggy jams, each one feeling familiar but never quite settling into trite. With no shot at getting pictures of all four, I kept the camera stowed and just tried to take in as much as I could. After wrapping up my Friday blog, I arrived on the field at the intersection of Rodrigo y Gabriela, Booker T and the DBTs, Bon Iver, and Raphael Saadiq. Saturday was a day of conflicts across the board for me, Mixers, pretty much from the word go.